Artists' Handmade Houses is a collection of 13 homes handcrafted by the finest artists and craftsmen in America, including George Nakashima, Henry Varnum Poor, Sam Maloof, Wharton Esherick, and Russel Wright. Built over the course of 75 years, from the late-19th century to the mid-20th century, these homes were each designed and built by the artists as an expression of their aesthetic sentiments, and in many cases, as extensions of their artwork. As such, these private domains are utterly unique and deeply imbued with each artist's singular vision and talent. A few of the homes have been awarded National Historic Landmark status, and several are open to the public, while still others have sadly fallen into disrepair or are now in the hands of new owners. In a few cases, the photographs in this book represent the last record of the house as created by its artist resident.
Praise for Artists' Handmade Houses:
"The house histories by Michael Gotkin are concise and illuminating; the new photography by Don Freeman, stunning."
-The Wall Street Journal
“This gorgeous collection of houses handcrafted by some of America’s finest artists is not only a must-read but a must-examine-closely.”—The Chicago Tribune
"There's ample opportunity for both looking and learning with Artists' Handmade Houses."
-ARTnews
"Freeman's ability to capture details . . . coupled with a good eye for scale, gives the reader a true sense of place; Gotkin's insightful text is an added delight, deepening readers' appreciation of the design that makes each home so unique."
-Publishers Weekly.com
BYRDCLIFFE ARTS AND CRAFTS COLONY (1903-)
BYRDCLIFFE ARTS AND CRAFTS COLONY (1903-)
BYRDCLIFFE ARTS AND CRAFTS COLONY (1903-)
PAOLO SOLERI (1919-2013) COSANTI
PAOLO SOLERI (1919-2013) COSANTI
PAOLO SOLERI (1919-2013) COSANTI
WHARTON ESHERICK (1887-1970)
WHARTON ESHERICK (1887-1970)
HENRY CHAPMAN MERCER (1856-1930) FONTHILL
HENRY CHAPMAN MERCER (1856-1930), FONTHILL
RAOUL HAGUE (1905-1993)
RAOUL HAGUE (1905-1993)-
RAOUL HAGUE (1905-1993)-
SAM MALOOF (1916-2009)
RUSSEL WRIGHT (1904-1976) MANITOGA
RUSSEL WRIGHT (1904-1976) MANITOGA
RUSSEL WRIGHT (1904-1976) MANITOGA
GEORGE NAKASHIMA (1905-1990)
GEORGE NAKASHIMA (1905-1990)
GEORGE NAKASHIMA (1905-1990)-
GEORGE NAKASHIMA (1905-1990)
COSTANTINO NIVOLA (1911-1988)
FREDERIC EDWIN CHURCH (1826-1900) OLANA
FREDERIC EDWIN CHURCH (1826-1900) OLANA
FREDERIC EDWIN CHURCH (1826-1900) OLANA
HENRY VARNUM POOR (1888-1970) CROW HOUSE
HENRY VARNUM POOR (1888-1970) CROW HOUSE
RUTH AND ROBERT HATCH COTTAGE (1960-)
Renowned New York–based floral designer Lewis Miller presents a fresh take on the arrangement and display of flowers—discussing the approach to and the inspiration behind his lavish creations. Lewis Miller’s first book features lush, naturally lit still lifes of his beautiful arrangements and compositions. The designer, who has a background in horticulture and landscape design, describes his work as "sumptuous nature." Organized by key factors that are considered for each piece—color, composition, movement, shape, and texture—the book is elegantly illustrated with Don Freeman’s painterly photographs and explains, arrangement by arrangement, the thoughts and motivations that guided the process. Vivid images of brightly hued poppies, roses, hydrangeas, and tulips explode on each page. Miller also discusses his sources of inspiration, notably seventeenth-century Dutch still lifes. The images and words will give the reader a profound insight into the artistry of flower arranging—providing the impetus to create floral works of one’s own. Additional information will cover ways to handle and arrange flowers, prolong the life of an arrangement, and incorporate flowers into special occasions or simply into our everyday lives. The luxurious display of flowers will inspire and delight decorators, gardeners, brides-to-be, and connoisseurs of beauty.
For over twenty years, Ted Muehling’s exquisite jewelry designs have been cult favorites among fashionistas in America and Europe. Muehling’s preoccupations with forms in nature—his jewelry incorporates precious stones and natural pearls—evoke both the natural and the manmade, sensual and tactile in their simplicity. Muehling has expanded his unique vocabulary into porcelain objects, glass, and crystal tableware to critical acclaim. Ted Muehling also introduces Muehling’s ongoing creative partnership with the noted photographer Don Freeman, who has been capturing Muehling’s work and workspaces since the beginning of each of their careers. The result is a stunning presentation in keeping with the poetic vision of the work.